ANTON CORBEIN - THE MOST ROCKY PHOTOGRAPHY OF MODERNITY
"I shot everyone," A. Corbain Anton Corbijn was born in a Dutch province in 1955. His father was a priest of the Protestant church, and his mother was a nurse.…

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HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS
You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it…

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VIVIEN MAYER (© VIVIAN MAIER) - GENIUS OBSERVING REALITY
The story of the American photographer Vivien Maier (© Vivian Maier) is an interesting case of fame that came to the photographer only after death. Nobody saw her carefully assembled…

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y redefining

MERT ALAS – TURKISH STAR FASHION-PHOTOS

One of the most sought after photographers in the fashion industry, Mert Alas, was born in 1971 in Istanbul. His interest in glossy magazines showed up quite early. Murt’s father was a military pilot. Undoubtedly, the mother, who was a model in the 1960s, influenced the young man’s hobbies.

At age 19, Alas went to the UK. In London, he learned the language and found a job as a stylist. His path in photo modeling began after meeting Markus Piggott in 1994. At one of the photo shoots, a fateful meeting took place that marked the beginning of a creative duet. They had a lot in common in biography, professional preferences and hobbies. The guys rented the attic of an abandoned warehouse and equipped a small studio. Continue reading

HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images.

You need to know a few simple rules, practice in order to “get your hand”, and gain time and patience, because this work is painstaking and time-consuming. In addition, today there are many services that help automate this work. But ultimately, it’s up to you to work with content on your own or give a routine to neural networks. Continue reading

ADVANTAGES OF USING A WIRELESS REMOTE CONTROL
Shooting with a wireless remote control significantly expands the capabilities of the photographer, brings much more flexibility to the work. Touching the camera directly is sometimes not practical or even…

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ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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QUIET PHOTO HUNT. HOW TO PHOTO MUSHROOMS
Despite the fact that advanced digital photography technologies have made the process of photographing much easier, and now you can instantly evaluate (although very approximately) the result obtained on the…

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Crop and fragment the image
Image cropping is a purely photographic principle, determined by the specific features of the photocomposition, and methods of constructing a photographic space. The device’s lens more or less mechanically “cuts…

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