Photography as a form of art
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical physicochemical methods…

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MATSEY DAKOVICH - TALENTED STREET-PHOTOGRAPHER AND TRAVELER-DOCUMENTIST
I am not a street photographer. I'm just a photographer who sometimes manages to take a good photo on the street M. Dakovich Maciej Dakowicz (© Maciej Dakowicz) is a…

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UV PHOTOGRAPHY - WHAT IS IT AND HOW TO DO?
Ultraviolet photography is a genre that photographers use relatively little, despite the fact that the pictures are exciting and extraordinary. Why is this happening? We dare to assume that simply…

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creative

PETER LINDBERG – BEAUTY PROMOTIONAL WITHOUT RETOUSH

The legendary photographer of the fashion industry was born on November 23, 1944 in the Polish city of Leszno. Soon after the birth of the child, the family moved to western Germany. Peter’s childhood passed in Duisburg. This port city left a big mark in the soul of the photographer. Lindbergh grew up, observing a certain harmony and coexistence of industrial areas and unspoiled natural landscapes. Later this will be reflected in his work.

Peter is interested in painting, he attends an art school, and after that, enters the Krefeld Institute of Arts. He manages to participate in art exhibitions with his artwork. Gradually, the young man’s interest switches to photography, and in 1971 Lindbergh got his first camera. He starts off as an assistant photographer Hans Lux. After 2 years, he moved to Dusseldorf and received the status of an independent photographer. Continue reading

HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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ADVANTAGES OF USING A WIRELESS REMOTE CONTROL
Shooting with a wireless remote control significantly expands the capabilities of the photographer, brings much more flexibility to the work. Touching the camera directly is sometimes not practical or even…

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What is a modern photographer?
We are all photographers today, but with the proliferation of digital photography, her theory is not keeping pace with her practice. In their dialogue, the philosopher Mikhail Kurtov and the…

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