VIVIEN MAYER (© VIVIAN MAIER) - GENIUS OBSERVING REALITY
The story of the American photographer Vivien Maier (© Vivian Maier) is an interesting case of fame that came to the photographer only after death. Nobody saw her carefully assembled…

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CAMERA DIAPHRAGM AND DOF WITH SIMPLE LANGUAGE
Anyone who is not too lazy and read the instructions for the camera may not read further. But for those who are too lazy to do this - perhaps there…

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BUDGET MACROPHOTOGRAPHY FOR LEAN
A closeup can open the world for you from an unfamiliar, amazing and magical side. But very often, the high price of equipment, especially lenses, becomes a serious obstacle to…

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creative

PETER LINDBERG – BEAUTY PROMOTIONAL WITHOUT RETOUSH

The legendary photographer of the fashion industry was born on November 23, 1944 in the Polish city of Leszno. Soon after the birth of the child, the family moved to western Germany. Peter’s childhood passed in Duisburg. This port city left a big mark in the soul of the photographer. Lindbergh grew up, observing a certain harmony and coexistence of industrial areas and unspoiled natural landscapes. Later this will be reflected in his work.

Peter is interested in painting, he attends an art school, and after that, enters the Krefeld Institute of Arts. He manages to participate in art exhibitions with his artwork. Gradually, the young man’s interest switches to photography, and in 1971 Lindbergh got his first camera. He starts off as an assistant photographer Hans Lux. After 2 years, he moved to Dusseldorf and received the status of an independent photographer. Continue reading

HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

WHAT IS TFP?
About TFP should be known to everyone who is somehow connected with photography. TFP (Time for Prints) is a form of transaction in the world of photography, where neither side…

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INTERACTION OF PHOTOGRAPHY AND PAINTING
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical methods could…

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ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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