STYLES AND DIRECTIONS OF PAINTING
There is a huge variety of styles and trends in the visual arts. Often they do not have clearly defined boundaries and smoothly pass from one to another, being in…

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UV PHOTOGRAPHY - WHAT IS IT AND HOW TO DO?
Ultraviolet photography is a genre that photographers use relatively little, despite the fact that the pictures are exciting and extraordinary. Why is this happening? We dare to assume that simply…

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DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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creative

PETER LINDBERG – BEAUTY PROMOTIONAL WITHOUT RETOUSH

The legendary photographer of the fashion industry was born on November 23, 1944 in the Polish city of Leszno. Soon after the birth of the child, the family moved to western Germany. Peter’s childhood passed in Duisburg. This port city left a big mark in the soul of the photographer. Lindbergh grew up, observing a certain harmony and coexistence of industrial areas and unspoiled natural landscapes. Later this will be reflected in his work.

Peter is interested in painting, he attends an art school, and after that, enters the Krefeld Institute of Arts. He manages to participate in art exhibitions with his artwork. Gradually, the young man’s interest switches to photography, and in 1971 Lindbergh got his first camera. He starts off as an assistant photographer Hans Lux. After 2 years, he moved to Dusseldorf and received the status of an independent photographer. Continue reading

HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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GETTING THE BEST FLOWER PHOTOS
 Take some pictures At their seminars, I always advise students to follow the rule of "peeling onions in layers." This method is not only about photographing flowers. I rarely take…

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DRAGGING THE SHUTTER EFFECT IN PORTRAIT PHOTO OR HOW TO MAKE A PORTRAIT MOVE
The effect of "lengthening the shutter speed" is familiar to anyone who has used a compact camera set to the "night portrait" mode. In order for bright blurry stripes around…

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS
For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”:…

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