GUY BOURDEN - PROVOCATIVE GENIUS FASHION-SHooting
Photos on the pages of glossy magazines that can be seen today are similar to each other. They are not distinguished by the complexity of the frame. Other were the…

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WHAT IS TFP?
About TFP should be known to everyone who is somehow connected with photography. TFP (Time for Prints) is a form of transaction in the world of photography, where neither side…

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HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS
Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most…

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SIX FUNDAMENTAL MACRO PRINCIPLES

Macro photography is sometimes mistakenly called “close-up photography” in photography. This statement cannot be considered fundamentally false, but if you use it, then very many may consider you an amateur. In the classical sense, macro photography is called shooting at a scale of 1: 2 – 20: 1 (that is, 1 centimeter of the image on the photosensitive material of the camera corresponds to 2-0.05 centimeters of the object). As a rule, macro subjects are very small – most often they are insects or flowers.

Larger objects can also be interesting for macro shots if, for example, a photographer wants to focus on some very specific, smaller details of a large object. Continue reading

INTERACTION OF PHOTOGRAPHY AND PAINTING
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical methods could…

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What is conceptual photography?
Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds…

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HOW TO USE A TELECONverter
What is a teleconverter? Tele-converter (English sec. TS) is an additional optical system that is fixed between the camera body and the main lens. The purpose of the teleconverter is…

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