Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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Impressionism as a conscious need
... As with any other profession, the consumer always demanded quality from painting for his money. The thoroughness of the drawing, the elaboration of light and color - all these…

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whole family

Sit down

 Sit down, meditate and watch

Photographing flowers is a good reason to meditate. Try to find a place away from people (if possible), sit down and relax. Do not immediately grab the camera in your hands and do not start shooting immediately. Take your time! Feel the aromas, learn the structure, color and shapes.

Take a look around, try to find a few possible frames around you, without moving. It works for me! Visualize possible pictures and imagine how everything will look together at the end of the photo shoot.
Take a look around, try to find a few possible frames around you, without moving. It works for me! Visualize possible pictures and imagine how everything will look together at the end of the photo shoot. Continue reading

SIX FUNDAMENTAL MACRO PRINCIPLES

Macro photography is sometimes mistakenly called “close-up photography” in photography. This statement cannot be considered fundamentally false, but if you use it, then very many may consider you an amateur. In the classical sense, macro photography is called shooting at a scale of 1: 2 – 20: 1 (that is, 1 centimeter of the image on the photosensitive material of the camera corresponds to 2-0.05 centimeters of the object). As a rule, macro subjects are very small – most often they are insects or flowers.

Larger objects can also be interesting for macro shots if, for example, a photographer wants to focus on some very specific, smaller details of a large object. Continue reading

ADVANTAGES OF USING A WIRELESS REMOTE CONTROL

Shooting with a wireless remote control significantly expands the capabilities of the photographer, brings much more flexibility to the work. Touching the camera directly is sometimes not practical or even impossible. In addition, simply pressing the shutter button with your hand can cause the camera to vibrate and shake, which wildegrade image quality.

The ability to use the camera while being at a distance has many advantages. You can use the cable, of course, but you will still be limited by its length (and add more security problems), although this is a budget option. But still, no one wants to trip over the cable and pull the tripod and camera for it, and in the end break everything up. Continue reading

GUY BOURDEN - PROVOCATIVE GENIUS FASHION-SHooting
Photos on the pages of glossy magazines that can be seen today are similar to each other. They are not distinguished by the complexity of the frame. Other were the…

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HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS
You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it…

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LIPS. HOW TO REMOVE THE MACRO
There is a certain charm in human lips. The movement of the mouth, tongue, and facial micro-facial express an amazing palette of feelings, emotions, tell stories about its owner. We…

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HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS
Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most…

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