UV PHOTOGRAPHY - WHAT IS IT AND HOW TO DO?
Ultraviolet photography is a genre that photographers use relatively little, despite the fact that the pictures are exciting and extraordinary. Why is this happening? We dare to assume that simply…

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DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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What is professional photography and who is a professional photographer.

Why the cost of professional photography is higher than amateur.

Turning to a professional, you expect to get high-quality and beautiful photos. In order to justify your expectations and embellish them, a professional photographer must use equipment that allows not to limit the implementation of ideas. Professional equipment is expensive, in contrast to the usual “soap dish” has a limited resource of work, which decreases with each shot made, which leads to costly repairs. Add to this the time and technical costs of processing each frame from the footage, because you want to get photos with beautiful colors, the correct brightness and eliminated the shortcomings of the subject ?? Continue reading

What is a modern photographer?

We are all photographers today, but with the proliferation of digital photography, her theory is not keeping pace with her practice. In their dialogue, the philosopher Mikhail Kurtov and the artist Yegor Rogalev are looking for a new theory of photography.

Egor Rogalev: Today we are faced with constant difficulties in the photographic description of post-Soviet reality, and indeed reality in general. There is a situation in which the medium and technology in its development and dissemination significantly overtake the possibilities of its own conscious and non-manipulative use. Continue reading

What is conceptual photography?

Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds before our eyes. It should be noted that this is probably the most understandable conceptual photo of Wall. Here the author flirts with you, as it were, showing you a conceptual photo, the language of which is clear to you, because it is the language of modernist photography that is familiar to us. Its conceptualism is manifested in a dialogue with the history of art – Japanese engraving in combination with the modernist photographic language. The author of this simple work, as it were, invites you to his conceptual journey, in which to understand the rest of his work will be more and more difficult. Continue reading

HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS
You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it…

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ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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JAY MAISEL - MASTER OF STREET SHOOTING, COLOR AND LIGHT
A New Yorker and passionate fan of the Big Apple, Jay Maisel (© Jay Maisel) is one of the world's leading street-style photographers. Among professionals, he enjoys the fame of…

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