STYLES AND DIRECTIONS OF PAINTING
There is a huge variety of styles and trends in the visual arts. Often they do not have clearly defined boundaries and smoothly pass from one to another, being in…

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TIPS FOR BOUDOIR PHOTOSESSIONS
TIPS FOR BOUDOIR PHOTOSESSIONS Boudoir photography is a niche in portrait photography, combining the features of portraiture, fashion, art, glamorous and erotic photography. A great way to capture sexy, sensual,…

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PHOTOGRAPHER DRAGONFLY WITHOUT Tears
For wildlife photography, it’s important to have a good look at the living creatures you are about to shoot. The variety of shapes and colors of the same dragonflies is…

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frames can contain

HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

INTERACTION OF PHOTOGRAPHY AND PAINTING
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical methods could…

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What is conceptual photography?
Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds…

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Photography as a form of art
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical physicochemical methods…

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