INTERACTION OF PHOTOGRAPHY AND PAINTING

At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical methods could not even claim such a status. And although the first photographers, gravitating to the artistry of the image, showed considerable compositional ingenuity to reflect reality, photography did not fit into the system of social values ​​as art.

Theoretical debate constantly arose around photography: can it be compared with painting in terms of artistic value? Is photography a degenerate painting for which technique replaces craftsmanship? And vice versa, is not photography a modern kind of painting that takes over and deepens its function, a modification of painting in a technical civilization that changes the cultural and aesthetic significance of traditional painting? But this is nothing more than a contrast between two phenomena of artistic life, two types of art, clearly gravitating to each other and interacting with each other. Continue reading →