SIX FUNDAMENTAL MACRO PRINCIPLES
Macro photography is sometimes mistakenly called “close-up photography” in photography. This statement cannot be considered fundamentally false, but if you use it, then very many may consider you an amateur.…

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ADVANTAGES OF USING A WIRELESS REMOTE CONTROL
Shooting with a wireless remote control significantly expands the capabilities of the photographer, brings much more flexibility to the work. Touching the camera directly is sometimes not practical or even…

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QUIET PHOTO HUNT. HOW TO PHOTO MUSHROOMS
Despite the fact that advanced digital photography technologies have made the process of photographing much easier, and now you can instantly evaluate (although very approximately) the result obtained on the…

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Photography as a form of art

At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical physicochemical methods could not even claim such a status. And although the first photographers, gravitating towards the artistry of the image, showed considerable compositional ingenuity to display reality (sometimes changing it beyond recognition), photography did not fit into the system of social values ​​and priorities as one of the muses for a long time. Continue reading

Photography and art

The value of photography as a chemical way of accurately capturing any visual objects is truly enormous in modern cultural life. Neither science is infinitely large – astronomy or astrophysics, nor any science infinitely small can do now without this wonderful eye, without photographic records that serve as translators between the still mysterious world of nature for us and our knowledge. In everyday life, photography is intertwined with our experiences, as every photographic card on the desk, every family album speaks of. The amateur photographic apparatus became the companion of a huge number of people, making fresh memories of any journey, of any events of their own life, making each a kind of artist, accustoming to collect interesting objects, interesting points of view and interesting lighting for their photographic perpetuation. Continue reading

Photographic space

The reproduction of space by the artist is analytical. Creating a certain disposition of objects and figures on the plane, he sequentially builds depth, going from one spatial plan to another. The orientation of our eyes in space is based on a clearly fixed consciousness of verticals and horizontals – no tilting of the observer’s head creates a visual sensation similar to the effects of shooting with a camera tilted up or down. In the same way, the gaze directed into the distance tends to “straighten” somewhat, rationalize space. He involuntarily gives objects indefinitely turned to him more distinct positions, leading to the frontal plane of their face or profile. Continue reading

VIVIEN MAYER (© VIVIAN MAIER) - GENIUS OBSERVING REALITY
The story of the American photographer Vivien Maier (© Vivian Maier) is an interesting case of fame that came to the photographer only after death. Nobody saw her carefully assembled…

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VIVIEN MAYER (© VIVIAN MAIER) - GENIUS OBSERVING REALITY
The story of the American photographer Vivien Maier (© Vivian Maier) is an interesting case of fame that came to the photographer only after death. Nobody saw her carefully assembled…

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Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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