DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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UV PHOTOGRAPHY - WHAT IS IT AND HOW TO DO?
Ultraviolet photography is a genre that photographers use relatively little, despite the fact that the pictures are exciting and extraordinary. Why is this happening? We dare to assume that simply…

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PETER LINDBERG - BEAUTY PROMOTIONAL WITHOUT RETOUSH
The legendary photographer of the fashion industry was born on November 23, 1944 in the Polish city of Leszno. Soon after the birth of the child, the family moved to…

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HOW TO OBTAIN BEST RESULTS BY REMOVING AN ULTRA-WIDE ANGLE LENS

Today, most consumer DSLR lens kits are wide-angle. The 18 mm lens on the APS-C sensor camera (or 27 mm on the old 35 mm) is wide enough for most cases. Ultra-wide-angle lenses are characterized in that their focal length is less than 16 mm. It is here that new creative possibilities and new obstacles open up.

On crop sensor lenses, a focal length of 30-35 mm provides what we call the “normal” field of view, which is roughly equivalent to what the human eye sees. At 18 mm the field of view is almost two times wider, so it is possible to place many objects in the frame. At 12 mm you will again get 50% of the field of view, which is already very far from the “normal” – in this case, you need to turn your head to capture all the details. Continue reading

HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images.

You need to know a few simple rules, practice in order to “get your hand”, and gain time and patience, because this work is painstaking and time-consuming. In addition, today there are many services that help automate this work. But ultimately, it’s up to you to work with content on your own or give a routine to neural networks. Continue reading

HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION

Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is a checklist of simple items that will be useful to complete in order to get good photos.

How to photograph jewelry without a studio. Guide to action

Prepare props and materials

Window and natural light
How to photograph jewelry without a studio. Guide to action

Photographing shiny jewelry using a flash is not a good idea, because jewelry will reflect bright light, create glare and sharp shadows in the background, as the two examples below demonstrate. Continue reading

PHOTOGRAPHER DRAGONFLY WITHOUT Tears
For wildlife photography, it’s important to have a good look at the living creatures you are about to shoot. The variety of shapes and colors of the same dragonflies is…

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QUIET PHOTO HUNT. HOW TO PHOTO MUSHROOMS
Despite the fact that advanced digital photography technologies have made the process of photographing much easier, and now you can instantly evaluate (although very approximately) the result obtained on the…

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STEVEN MAYZEL IN FASHION PHOTOS AND SHE IN IT
One of the most famous commercial photographers of our time, Steven Meisel was born on June 5, 1954 in New York. Since childhood, his eccentricity has become noticeable close. Stephen…

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