CAMERA DIAPHRAGM AND DOF WITH SIMPLE LANGUAGE
Anyone who is not too lazy and read the instructions for the camera may not read further. But for those who are too lazy to do this - perhaps there…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS
For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”:…

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mysteriously

HOW TO USE A TELECONverter

What is a teleconverter?

Tele-converter (English sec. TS) is an additional optical system that is fixed between the camera body and the main lens. The purpose of the teleconverter is to increase the effective focal length of the primary lens. TSs are characterized by a magnification factor that varies from 1.2x to 3.0x (the most common are 1.4x and 2.0x). For example, for a telephoto lens with a focal length of 300 mm f / 2.8, a 2.0x tele-converter will double the focal length and reduce the maximum aperture by two full stops, resulting in a focal length of 600 mm f / 5.6. Teleconverters have the same effect on the zoom lens – the entire zoom range will be increased, and the maximum aperture will be reduced. For example, a 1.4x TC turns a lens with a focal length of 70-200 mm / 2.8 into a lens with 98-280 mm / 4.0. Continue reading

What is conceptual photography?

Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds before our eyes. It should be noted that this is probably the most understandable conceptual photo of Wall. Here the author flirts with you, as it were, showing you a conceptual photo, the language of which is clear to you, because it is the language of modernist photography that is familiar to us. Its conceptualism is manifested in a dialogue with the history of art – Japanese engraving in combination with the modernist photographic language. The author of this simple work, as it were, invites you to his conceptual journey, in which to understand the rest of his work will be more and more difficult. Continue reading

Photography and art

The value of photography as a chemical way of accurately capturing any visual objects is truly enormous in modern cultural life. Neither science is infinitely large – astronomy or astrophysics, nor any science infinitely small can do now without this wonderful eye, without photographic records that serve as translators between the still mysterious world of nature for us and our knowledge. In everyday life, photography is intertwined with our experiences, as every photographic card on the desk, every family album speaks of. The amateur photographic apparatus became the companion of a huge number of people, making fresh memories of any journey, of any events of their own life, making each a kind of artist, accustoming to collect interesting objects, interesting points of view and interesting lighting for their photographic perpetuation. Continue reading

The relationship of painting and photography in contemporary art
Photography has long since become commonplace. But if the documentary was immediately appreciated and accepted “with a bang” from the moment it appeared in 1839, then a heated debate arose…

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SIX FUNDAMENTAL MACRO PRINCIPLES
Macro photography is sometimes mistakenly called “close-up photography” in photography. This statement cannot be considered fundamentally false, but if you use it, then very many may consider you an amateur.…

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PHOTOGRAPHER DRAGONFLY WITHOUT Tears
For wildlife photography, it’s important to have a good look at the living creatures you are about to shoot. The variety of shapes and colors of the same dragonflies is…

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