LIPS. HOW TO REMOVE THE MACRO
There is a certain charm in human lips. The movement of the mouth, tongue, and facial micro-facial express an amazing palette of feelings, emotions, tell stories about its owner. We…

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TIPS FOR BOUDOIR PHOTOSESSIONS
TIPS FOR BOUDOIR PHOTOSESSIONS Boudoir photography is a niche in portrait photography, combining the features of portraiture, fashion, art, glamorous and erotic photography. A great way to capture sexy, sensual,…

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Photo for memory, Or why it is important to keep old pictures
Surely every family has photo albums with old family photographs that gather dust somewhere in cupboards, on mezzanines. Someone decides to simply throw them away to make way, and someone…

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mysteriously

HOW TO USE A TELECONverter

What is a teleconverter?

Tele-converter (English sec. TS) is an additional optical system that is fixed between the camera body and the main lens. The purpose of the teleconverter is to increase the effective focal length of the primary lens. TSs are characterized by a magnification factor that varies from 1.2x to 3.0x (the most common are 1.4x and 2.0x). For example, for a telephoto lens with a focal length of 300 mm f / 2.8, a 2.0x tele-converter will double the focal length and reduce the maximum aperture by two full stops, resulting in a focal length of 600 mm f / 5.6. Teleconverters have the same effect on the zoom lens – the entire zoom range will be increased, and the maximum aperture will be reduced. For example, a 1.4x TC turns a lens with a focal length of 70-200 mm / 2.8 into a lens with 98-280 mm / 4.0. Continue reading

What is conceptual photography?

Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds before our eyes. It should be noted that this is probably the most understandable conceptual photo of Wall. Here the author flirts with you, as it were, showing you a conceptual photo, the language of which is clear to you, because it is the language of modernist photography that is familiar to us. Its conceptualism is manifested in a dialogue with the history of art – Japanese engraving in combination with the modernist photographic language. The author of this simple work, as it were, invites you to his conceptual journey, in which to understand the rest of his work will be more and more difficult. Continue reading

Photography and art

The value of photography as a chemical way of accurately capturing any visual objects is truly enormous in modern cultural life. Neither science is infinitely large – astronomy or astrophysics, nor any science infinitely small can do now without this wonderful eye, without photographic records that serve as translators between the still mysterious world of nature for us and our knowledge. In everyday life, photography is intertwined with our experiences, as every photographic card on the desk, every family album speaks of. The amateur photographic apparatus became the companion of a huge number of people, making fresh memories of any journey, of any events of their own life, making each a kind of artist, accustoming to collect interesting objects, interesting points of view and interesting lighting for their photographic perpetuation. Continue reading

STEVEN MAYZEL IN FASHION PHOTOS AND SHE IN IT
One of the most famous commercial photographers of our time, Steven Meisel was born on June 5, 1954 in New York. Since childhood, his eccentricity has become noticeable close. Stephen…

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GETTING THE BEST FLOWER PHOTOS
 Take some pictures At their seminars, I always advise students to follow the rule of "peeling onions in layers." This method is not only about photographing flowers. I rarely take…

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ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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