CHESS PHOTO: IMPORTANT TIPS FOR A PROFESSIONAL APPROACH
It would seem that it’s so special in photographing people playing chess. However, if you take chess photography seriously, you can see how exciting it is. In order to convey…

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GETTING THE BEST FLOWER PHOTOS
 Take some pictures At their seminars, I always advise students to follow the rule of "peeling onions in layers." This method is not only about photographing flowers. I rarely take…

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VIVIEN MAYER (© VIVIAN MAIER) - GENIUS OBSERVING REALITY
The story of the American photographer Vivien Maier (© Vivian Maier) is an interesting case of fame that came to the photographer only after death. Nobody saw her carefully assembled…

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mysteriously

HOW TO USE A TELECONverter

What is a teleconverter?

Tele-converter (English sec. TS) is an additional optical system that is fixed between the camera body and the main lens. The purpose of the teleconverter is to increase the effective focal length of the primary lens. TSs are characterized by a magnification factor that varies from 1.2x to 3.0x (the most common are 1.4x and 2.0x). For example, for a telephoto lens with a focal length of 300 mm f / 2.8, a 2.0x tele-converter will double the focal length and reduce the maximum aperture by two full stops, resulting in a focal length of 600 mm f / 5.6. Teleconverters have the same effect on the zoom lens – the entire zoom range will be increased, and the maximum aperture will be reduced. For example, a 1.4x TC turns a lens with a focal length of 70-200 mm / 2.8 into a lens with 98-280 mm / 4.0. Continue reading

What is conceptual photography?

Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds before our eyes. It should be noted that this is probably the most understandable conceptual photo of Wall. Here the author flirts with you, as it were, showing you a conceptual photo, the language of which is clear to you, because it is the language of modernist photography that is familiar to us. Its conceptualism is manifested in a dialogue with the history of art – Japanese engraving in combination with the modernist photographic language. The author of this simple work, as it were, invites you to his conceptual journey, in which to understand the rest of his work will be more and more difficult. Continue reading

Photography and art

The value of photography as a chemical way of accurately capturing any visual objects is truly enormous in modern cultural life. Neither science is infinitely large – astronomy or astrophysics, nor any science infinitely small can do now without this wonderful eye, without photographic records that serve as translators between the still mysterious world of nature for us and our knowledge. In everyday life, photography is intertwined with our experiences, as every photographic card on the desk, every family album speaks of. The amateur photographic apparatus became the companion of a huge number of people, making fresh memories of any journey, of any events of their own life, making each a kind of artist, accustoming to collect interesting objects, interesting points of view and interesting lighting for their photographic perpetuation. Continue reading

Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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PHOTOGRAPHER DRAGONFLY WITHOUT Tears
For wildlife photography, it’s important to have a good look at the living creatures you are about to shoot. The variety of shapes and colors of the same dragonflies is…

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What is conceptual photography?
Here is the first example, a photograph of Jeff Wall, which everyone knows, including because Hokusai is here, plus the familiar Bresson “decisive moment” and the plot-photo story that unfolds…

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