Features of composition and documentary
Despite the expansion of the scope of application of photography to various fields of artistic culture, applied arts and information itself, it now no less needs a set of rules…

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INTERACTION OF PHOTOGRAPHY AND PAINTING
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical methods could…

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ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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competition

Impressionism as a conscious need

… As with any other profession, the consumer always demanded quality from painting for his money. The thoroughness of the drawing, the elaboration of light and color – all these are direct attributes of quality. All of them were characteristic of the masters of painting until the end of the 19th century. Particularly high thoroughness of work performance is characteristic after the invention of oil paints by Van Eyck. Textures of fabrics, building materials, elaborate faces, figures – all reached the possible technical limit accessible to the eye and hand.
The work of the Dutch of the 16-17th centuries can be viewed in a magnifying glass.
Such painting remained until the 19th century, until photography was invented in its misfortune. Continue reading

NICK NIGHT: WELCOME TO THE WORLD OF FUTURISTIC AND FUNNY FASHION FILMING
"I feel that I exist in the future. And, I will tell you, this is an unusual place!" Nick Knight is associated with fashion photos, moreover, he is inextricably linked…

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How photography completely changed art
Both painting and photography are forms of visual art that are designed to create images and visual symbols. The difference in the manufacturing method creates some features. 2Painting is not…

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Photographic space
The reproduction of space by the artist is analytical. Creating a certain disposition of objects and figures on the plane, he sequentially builds depth, going from one spatial plan to…

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