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LIPS. HOW TO REMOVE THE MACRO
There is a certain charm in human lips. The movement of the mouth, tongue, and facial micro-facial express an amazing palette of feelings, emotions, tell stories about its owner. We see how a person feels joy, guess when he is sad, disappointed, preoccupied or rejoiced. All this gamut is transmitted through the lips, which can be touching and aggressive, playful and angry.
Photographer from Miami (USA) Jason Bassett decided to approach the process of lip study thoroughly and created a photo project called “Tulips”. At the disposal of the photographer was a Sony Alpha A7 camera, a Sony FE 90 mm f / 2.8 Macro G OSS lens, which Jason rented, an inexpensive on-camera flash and a reflector. Continue reading
Photography and art
The value of photography as a chemical way of accurately capturing any visual objects is truly enormous in modern cultural life. Neither science is infinitely large – astronomy or astrophysics, nor any science infinitely small can do now without this wonderful eye, without photographic records that serve as translators between the still mysterious world of nature for us and our knowledge. In everyday life, photography is intertwined with our experiences, as every photographic card on the desk, every family album speaks of. The amateur photographic apparatus became the companion of a huge number of people, making fresh memories of any journey, of any events of their own life, making each a kind of artist, accustoming to collect interesting objects, interesting points of view and interesting lighting for their photographic perpetuation. Continue reading
Photographic space
The reproduction of space by the artist is analytical. Creating a certain disposition of objects and figures on the plane, he sequentially builds depth, going from one spatial plan to another. The orientation of our eyes in space is based on a clearly fixed consciousness of verticals and horizontals – no tilting of the observer’s head creates a visual sensation similar to the effects of shooting with a camera tilted up or down. In the same way, the gaze directed into the distance tends to “straighten” somewhat, rationalize space. He involuntarily gives objects indefinitely turned to him more distinct positions, leading to the frontal plane of their face or profile. Continue reading
