ASHER FELLIG'S invaluable contribution to the art of photography, or scandalous Viji
"My name is Viji. I am the greatest photographer in the world ..." Asher Fellig was born at the turn of the 19th and 20th centuries in the town of…

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DRAGGING THE SHUTTER EFFECT IN PORTRAIT PHOTO OR HOW TO MAKE A PORTRAIT MOVE
The effect of "lengthening the shutter speed" is familiar to anyone who has used a compact camera set to the "night portrait" mode. In order for bright blurry stripes around…

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QUIET PHOTO HUNT. HOW TO PHOTO MUSHROOMS
Despite the fact that advanced digital photography technologies have made the process of photographing much easier, and now you can instantly evaluate (although very approximately) the result obtained on the…

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the future

ANTON CORBEIN – THE MOST ROCKY PHOTOGRAPHY OF MODERNITY

“I shot everyone,” A. Corbain

Anton Corbijn was born in a Dutch province in 1955. His father was a priest of the Protestant church, and his mother was a nurse. Anton’s childhood passed in a small village. As a teenager, he becomes interested in photography. Corbain attended concerts and took the first pictures there, which he sold to local publications. Then he did not know what exactly the photos of the musicians would make him famous. The first significant mark in the career of the future photographer can be called a collaboration with the Dutch magazine Oor. Absolute self-taught managed to make interesting and deep shots. The obvious talent of the guy was torn out. In 1979, Arthur left his homeland and moved to London. Continue reading

Photographic space
The reproduction of space by the artist is analytical. Creating a certain disposition of objects and figures on the plane, he sequentially builds depth, going from one spatial plan to…

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Sit down
 Sit down, meditate and watch Photographing flowers is a good reason to meditate. Try to find a place away from people (if possible), sit down and relax. Do not immediately…

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Photography as a form of art
At the time of the birth of photography, aesthetics were dominated by the belief that only man-made work can be art. The image of reality obtained using technical physicochemical methods…

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